To learn more about our cookie policy, please check our Privacy Policy. At this point, the important thing to remember is that a gold grille is going to get you that lift in the 4–10k range. More importantly, you CAN hear a difference! Sweetwater Sound AKG Acoustics C 414 XLS Multi-Pattern Condenser Microphone. The C 414 XL II is also available in matched stereo pairs. Now is when you need to start paying close attention: In the early ’90s, AKG brought out a new version, the C414B-TLII, with a new element, the 2072-Z-0009, designed to emulate the frequency characteristics of the CK12. Perhaps no other microphone engenders more disagreement from audio engineers. ⚠ WARNING : Cancer and Reproductive Harm - Being music makers ourselves, we love geeking out on all things gear. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. (25 mm) gold sputtered diaphragms for multiple pickup patterns. In the mid 2000s, possibly in response to this confusion, AKG officially split the 414 into two lines, with the C414B-XLII attempting to trace its lineage back to the CK12-based microphones and the C414B-XLS owing more tonally to the C414B-ULS. More importantly, the frequency response of the two mics is very different. Also available as a matched stereo pair; p/n C 414 B-XLS/ST. If you come across a black body C414 without the rounded edges, it is at least 16 years old, and it could be closer to 30 years old. The C414-XLS is a multipattern FET condenser microphone, the latest in the ULS/XLS series of “linear/neutral” studio microphones. If you need a little help finding the right C414 (or C314…or C214) for your application, give your Sweetwater Sales Engineer a call at (800) 222-4700. This is likely an exaggeration, but in most instances there is a difference in sound that is not clearly indicated by the marketing. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. Resolution, 2004 [T]he capsule suspension works extremely well in suppressing low-frequency mechanical vibration… Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. Phone Hours | It featured the CK12 capsule and the electrical design of the C412 but added a hypercardioid pickup pattern. Unfortunately, at over 10 inches in length, the C12 was perfect in the recording studio, but not such a great choice on TV, where audio engineers were trying to keep the microphone from being the center of attention. The AKG C414 is the best-known condenser microphone from the iconic company, but the pathway of its development is a little bit complicated. That requires a bit of explanation, since the C414 has gone through a lot of changes over its 50-year life span. Store Hours, If you have any questions, please call us at (800) 222-4700. AKG C414 EB User’s Guide; AKG Acoustics C 414 EB Multi-Pattern Condenser Microphone. Below 4 kHz, however, the C414 B-TL II has an absolutely flat response. This website uses cookies to improve your experience. A silver grille is going to get you a more neutral response. In the ’60s, AKG launched the more svelte C12A, which featured the distinctive diamond-shaped silhouette that would mark this line for the next 60 years. It launched in two versions, featuring a DIN connector or a Cannon style (today’s standard XLR), but it still used the stand adapter with the connected cable from the C12A. It is also at this point that AKG moved away from the silver body color on the microphone to a matte black color. In 1980, AKG made a simple tweak to the C414 to standardize its powering scheme for fixed 48-volt rather than variable phantom power, and this mic was given the P48 suffix. Figure 4: A modern C414XLS with the more rounded edges and nine patterns. AKG’s matching criteria requires the two microphones to produce frequency response within 1dB, between 300Hz–8000Hz. It also added a 2-position pad switch (-10 and -20) and a 3-position low roll-off switch. Now is the perfect time to get the gear you want with simple, promotional financing. The cosmetics were upgraded slightly with more rounded corners. All rights reserved. To address this, the original C414 was brought to market in 1971. Figure 2: The C414B-ULS — matte body and the last chance to have a 414 with a transformer. It is designed around dual back-to-back large 1 in. Because of the ongoing popularity of the C414, two different pools of microphones existed in the marketplace for people to make sonic judgments about, which has caused some confusion and more than a few arguments! However, at some point in the production, AKG replaced the CK12 element. Older versions will typically handle less SPL than newer versions. If a C414 has a gold grille, it has the newer element in it and also has the elevated high-frequency response. It also went to a plastic body design, which could cause some issues with inducted hum. The C12 featured an extended high-frequency response without sounding strident and was based on a full-sized tube (the 12AY7/6072). Its frequency response above 4 kHz is the same as that of the classic C12 with a slight high-frequency boost. Figure 3 presents a comparison of the frequency response for the ULS and TLII in cardioid patterns. In 2009, the B in the model numbers finally proved to be vestigial, and the bifurcated models became the C414XLII and C414XLS. Unfortunately, at over 10 inches in len… In order to add new products we have to empty your current cart. To begin with, we need to look back to the great-great-grandfather of the C414, the legendary AKG C12, which was launched in the 1950s. Some good general rules of thumb on the 414: The C414 has been a studio staple for over 50 years because it is an exceptional microphone. It might have a CK12 inside, and it is probably worth more than they are asking. Get Directions | To begin with, we need to look back to the great-great-grandfather of the C414, the legendary AKG C12, which was launched in the 1950s. Happy customers, one piece of gear at a time! The C414 EB came to market about five years later and finally did away with the integrated stand mount in favor of a built-in XLR connector. It was quite literally a magic microphone for vocals and was also made as an OEM version for Telefunken, the ELAM 251. Of course, AKG added four more polar patterns to make up for losing the Bs, creating a total of nine polar patterns in these microphones, so it was a fair trade. This element was darker in character and would continue to be the only element used in the C414 for the next 20 years. While Shure and Neumann hearken back to the late 1920s, Sennheiser and AKG were both founded in the struggles of post-WWII Europe, and both made significant contributions to audio. The 414EB was the second-generation C414 microphone from AKG. This microphone only featured three polar patterns (omni, cardioid, and figure-8), which many engineers felt to be insufficient. Everything you love about Sweetwater in the palm of your hand. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953. In the mid ’80s, AKG brought out the C414B-ULS (Ultra Linear Series), which featured an electronics redesign that lowered the noise floor. This short-lived version was labeled the C414-TL. It is “too bright” or “too dark.” It is perfect for vocals or overheads or only usable on a guitar cabinet. Sing into the side with the polar-pattern switch on it — or the engineer will make fun of you. This element generates a bump in the high end to try to recapture some of the magic of the C12. These core microphone manufacturers all have magisterial products that are responsible for building their brands. If you are using a screen reader and are having problems using this website, please call, We noticed that you already have products in your cart. The C12A used a miniature tube along with the smaller transformer that the C12 had eventually transitioned to (the T14/1) and managed to trim about 25% off the length. AKG marketed this as a microphone focused on vocals, and it also represents the transition to a gold grille screen.

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