See diagrams at Standard Guitar. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. Many theorists of the period observed that B ♭ is used more typically than B ♮ in compositions in Lydian mode (Powers 2001). This would be the B flat Major scale, because the root note (the first note of the scale) is B flat. This step shows the B-flat scale degrees - Tonic, supertonic, mediant, subdominant, dominant, submediant, etc. This is needed to ensure that when it comes to writing the mode notes on a musical staff (eg. In the fretboard pattern, the first root note is on the 6th string, 6th fret. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. These are identical to the Lydian except for the raised second and raised fifth. , but obviously the note names will be different for each mode / key combination. B LYDIAN MODE ‘B Flat Lydian’ is the 4th mode of the F major scale.The notes in Bb Lydian are: Bb – C – D – E – F – G – A. B flat Lydian scale for guitar. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. The Solution below shows the B-flat lydian mode notes on the piano, treble clef and bass clef. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. It also shows the scale degree chart for all 8 notes. The numbered notes are those that might be used when building this mode. The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic, e.g., an F-major scale with a B ♮ rather than B ♭. B flat Mixolydian scale for guitar. A B♭ Lydian Dominant scale consists of B♭, C, D, E, F, G and A♭ notes. This step tries to assign note names to the piano keys identified in the previous step, so that they can be written on a note staff in the Solution section. Here’s the Bb major scale on piano. It contains exactly the same notes, but starts on another note. B-flat lydian mode. Also known as the overtone scale or acoustic scale, because it is close to the first seven pitches in the natural overtone series. The Bb Mixolydian is a seven-note scale, also called Bb Dominant Scale. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. Colored circles in the diagram mark the notes in the scale (darker color highlighting the root notes). See diagrams at Standard Guitar. PART 2 Final Analysis The Lydian Chromatic Scale and best explanation from “Wikipedia” The Solution below shows the B-flat lydian mode notes on the piano, treble clef and bass clef.. column. The Solution below shows the B lydian mode notes on the piano, treble clef and bass clef.. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names. Since this mode begins with note Bb, it is certain that notes 1 and 13 will be used in this mode. PART 2 Final Analysis The Lydian Chromatic Scale and best explanation from “Wikipedia” The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names.. For a quick summary of this topic, have a look at Mode. This step applies the B-flat lydian mode note positions to so that the correct piano keys and note pitches can be identified. Notice the B FLAT hence the Major. In this mode, the 7th note is called the leading note or leading tone because the sound of the 7th note feels like it wants to resolve and finish at the octave note, when all mode notes are played in sequence. Then list the 7 notes in the mode so far, shown in the next column. The Bb Lydian is a mode of the F Major Scale. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. Finding a parent scale, From E Flat 7 going to A Flat major 7th we would employ the D Flat Lydian mode due to the G natural or #11 of the D FLAT LYDIAN to modulate to A flat major 7th. Eb is the subdominant of the scale. One or more note in this mode has a sharp or flat, which means that this mode has been transposed to another key. The 7 unique notes in a mode need to be named such that each letter from A to G is used once only - and so each note name is either a natural white name(A..G) , a sharp(eg. The B-flat lydian mode starts on note B-flat. The only difference is that Lydian raises the fourth note in the scale. F-sharp) or a flat(eg. The Bb Lydian is a mode of the F Major Scale. Finding a parent scale, From E Flat 7 going to A Flat major 7th we would employ the D Flat Lydian mode due to the G natural or #11 of the D FLAT LYDIAN to modulate to A flat major 7th. In contrast, all other modes, including for example the phrygian mode, have a whole tone (two semitones, two notes on the piano keyboard) between the 7th and 8th notes, and the 7th note does not lean towards the 8th note in the same way. To apply this rule, firstly list the white key names starting from the tonic, which are shown the white column below. For each of the 7 notes, look across and try to find the white note name in the mode note name. The 1st note of the B-flat lydian mode is, The 2nd note of the B-flat lydian mode is, The 3rd note of the B-flat lydian mode is, The 4th note of the B-flat lydian mode is, The 5th note of the B-flat lydian mode is, The 6th note of the B-flat lydian mode is, The 7th note of the B-flat lydian mode is, The 8th note of the B-flat lydian mode is. column shows the mode note names. It does this because in this mode, the 7th note is only 1 semitone / half-tone away from the 8th note - the octave note. Same pitches as the G melodic minor scale and the F-sharp/G-flat altered scale. The B flat Lydian scale consists of seven notes. See diagrams at Standard Guitar. Applying the rule below ensures that when accidental adjustment symbols are added next to staff notes as part of composing music based on that mode, these accidentals will indicate that the adjusted note is not in that mode. The tonic note (shown as *) is the starting point and is always the 1st note in the mode. Notes, Intervals and relations to other scales in the database. Notice the B FLAT hence the Major. Lydian Dominant Scale in B flat is a major scale with sharp fourth and flat seventh intervals. Two relevant scales are the Lydian #2 (sharp two) and the Lydian #5 (sharp five). In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. Finally, Horizontal Scales. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. For example, if you’re in the key of F major, the fourth note in the scale would be a Bb, but in the Lydian mode it becomes a B natural. Finally, Horizontal Scales. Same pitches as B-flat major. For these other modes, the 7th note is called the subtonic. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). Finally, Horizontal Scales. This step shows the notes when descending the B-flat lydian mode, going from the highest note sound back to the starting note.

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